ISMAILI ART AND MUSIC

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kmaherali
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Re: ISMAILI ART AND MUSIC

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Ehsaas is a heartfelt offering of love and gratitude for the Imam-of-the-Time, composed by Anar Jassani and Sarosh Dadani. Blending English and Urdu, the song is both a prayer and a promise, affirming that Mawla’s grace is felt in every breath, in every moment.

Watch now: https://youtu.be/Yne2LciF7zo
kmaherali
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Re: ISMAILI ART AND MUSIC

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Tracing our heritage along the Nile

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GE Heritage Journey participants at Al-Azhar Mosque in Cairo, Egypt.

By Salima Habib
The Global Encounters Heritage Journey to Egypt last year took the form of a dialogue between past and present. Participants gathered from different parts of the world to encounter history not as something preserved behind glass, but as a living force shaping identity, faith, and responsibility.

We walked along Al-Muizz Street, its stones worn smooth by centuries of footsteps. Above us, the rounded towers of Bab al-Futuh framed an archway that felt like an entry into another time. Standing in al-Qāhirah al-Muʿizz — the Victorious City of al-Muʿizz, now known as Cairo — I felt the significance of a place named in honour of the fourth Fatimid caliph and our 14th Ismaili Imam. Ahead was the mosque of Imam al-Hakim bi-Amr Allah. Surrounded by this history, our journey into the past began.

Through seva with Ismailis around the world, I came to see my identity not just as something inherited, but as something formed through service and shared effort. In the moment of takht nishini, as Mawlana Hazar Imam succeeded to the Imamat, that sense of identity deepened into responsibility: to honour the continuity that guides us and to engage more deliberately with our history.

Heritage Journeys gave us a way to celebrate our Imams, learn from Ismailis from many cultures and regions, and strengthen our sense of shared identity. From the start, that common bond brought us together as we walked toward Bab Zuweila, one of only three remaining gates of the old Fatimid walls. As we shared our stories along the narrow streets, our connection grew and our individual reflections became part of a shared journey.

We visited Ancient Egypt, where the Grand Egyptian Museum reflects the geometry of the pyramids and stands as a reminder of human creativity across generations. From there, we moved forward in time to a period when Egypt became a centre of Islamic learning and leadership.

Next, we entered the Fatimid era, at the heart of the Islamic Golden Age. At Al-Azhar Mosque, the azan sounded through the space, linking architecture, worship, and daily life. I realised I was standing in one of the oldest universities in the world, founded by Imam al-Muʿizz li-Din Allah as a place for both worship and learning. Around me, students from many countries continued a long tradition in which faith and knowledge belong together.

Music offered another way to connect during an evening concert by musicians from the Darb Al Ahmar Music School, supported by the Aga Khan Music Programme. Their performance spoke of perseverance and renewal. As they shared their reflections on hope, we were reminded that art can connect people across time, place, and difference.

At Al-Azhar Park, we heard laughter along the palm-lined paths, a sharp contrast to its past as a centuries-old rubble dump. Beside the park, we walked through Darb al-Ahmar, where the sound of artisans’ tools filled the streets.

Further south in Aswan, we experienced a different pace of life. We were welcomed into a Nubian village with traditional dance and song. Through the Om Habibeh Foundation, we met women leading community development and tasted produce from their agricultural projects — a clear example of self-reliance and community-focused work. These encounters renewed my own desire to serve.

As we travelled along the Nile, the journey became more reflective. Approaching Mawlana Sultan Mahomed Shah’s sunlit mausoleum in Aswan, I felt a deep sense of gratitude and a stronger awareness of the bond that connects us across time and geography.

From Cairo’s pyramids, mosques, churches, and synagogues to the life of Aswan, we saw pluralism in practice. We arrived as individuals and left with a shared sense of connection, having sung, danced, and reflected together.

Walking the streets our Imams once walked increased my gratitude and deepened my connection to the continuity of the Imamat. It also gave me hope that others will continue to preserve and value these places. Heritage Journeys renewed my appreciation for our Imams’ vision and reminded me that heritage is an ongoing responsibility — something we are trusted to carry forward through compassion, service, and unity.

https://the.ismaili/se/en/news/tracing- ... g-the-nile
kmaherali
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Re: ISMAILI ART AND MUSIC

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Concert

Elemental: Music, Dance and Reflection


Experience an evening of music, dance and reflection live on Ismaili TV https://iis.us13.list-manage.com/track/ ... 7656dfeead from the Ismaili Centre London, presented by The Institute of Ismaili Studies. Inspired by the Elemental conference, this performance brings together artistic traditions from across the Muslim world.

Watch with us live on Ismaili TV on 25 March 2026 at 8:30pm GMT, or register to attend in-person via The Ismaili app https://iis.us13.list-manage.com/track/ ... 7656dfeead.

Watch Ismaili TV https://iis.us13.list-manage.com/track/ ... 7656dfeead
kmaherali
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The Glacier Wedding

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Ya Ali Madad! Ameen Muhammad, an Ismaili from Gilgit-Baltistan currently residing in California, has announced that his film “The Glacier Wedding” has been selected for its world premiere at the Hot Docs International Documentary Film Festival in Toronto. It will be screened on May 3. Family members and Jamati members in Toronto are welcome to attend the screening.

Watch trailer at:

https://boxoffice.hotdocs.ca/websales/p ... y=5/3/2026&

https://www.youtube.com/watch?v=ypXNHXG3R6g
kmaherali
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Joined: Thu Mar 27, 2003 3:01 pm

Rouh-e Mosafer | The Traveling Soul | Farsi Song | Inspired by Ismaili Poet Nasir Khusraw

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Rouh-e Mosafer | The Traveling Soul
Farsi Song | Inspired by Ismaili Poet Nasir Khusraw

Inspired by the philosophical spirit and spiritual journey themes found in the writings of Nasir Khusraw — the renowned 11th-century Persian Ismaili philosopher, poet, traveler, and scholar — Rouh-e Mosafer (The Traveling Soul) is a cinematic Persian spiritual ballad about the human soul wandering through life searching for meaning, identity, and inner peace. Rooted in the intellectual and mystical traditions of Ismaili thought, the song reflects on how people often search everywhere except within themselves.

Blending Persian mystical poetry with Central Asian spiritual aesthetics, the song ultimately reveals that the soul’s true home is not a physical place, but the inner light and truth that has always existed within.

Lyrics: JollyGul Team

Audio & Video : JollyGul AI Lab

Publisher: JollyGul AI Melodies Channel

Watch here: https://www.youtube.com/watch?v=mntHdkB ... rt_radio=1
kmaherali
Posts: 24560
Joined: Thu Mar 27, 2003 3:01 pm

Taubo taubo taqsirdar Children Praying

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kmaherali
Posts: 24560
Joined: Thu Mar 27, 2003 3:01 pm

It Is You

Post by kmaherali »

The Ismaili Sounds is pleased to present “It Is You,” a moving expression of faith that reflects the peace found in turning to Allah through every joy and every challenge. Performed by Youth and Young Adult artists from Western Canada, this collaborative offering is a reminder of His ever-present light, boundless grace, and countless blessings that continue to guide us through every age.

Watch here: https://www.youtube.com/watch?v=v6NV8Mew8Cw
swamidada
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Re: ISMAILI ART AND MUSIC

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UNESCO Grants World Heritage Status to Iran’s Alamut Castle and Related Fortifications
by ismailimail Posted on July 30, 2026

The decision was adopted on Sunday during the 48th session of the UNESCO World Heritage Committee [from 19 to 29 July 2026] in Busan, South Korea, marking another milestone in Iran’s long-standing presence on the World Heritage list.

The newly inscribed serial property consists of seven historic castles and fortifications spread across the eastern and western Alamut valleys and the southern slopes of the Alborz mountain range in Qazvin province. The property includes Alamut Castle, Lambsar, Navizarshah, Shams-Kelaye, Qostinlar, Shirkuh and Ilan, all of which formed an interconnected defensive and administrative system between the 11th and 13th centuries.

From the late 11th century CE, Alamut served as the political, military and intellectual center of the Nizari Ismaili state, an influential Islamic movement whose influence extended across Iran and much of the Islamic world.

The UN cultural body recognized the property as an exceptional example of a fortified mountain landscape that illustrates sophisticated planning based on a detailed understanding of geography, communication routes, defensive architecture, water-resource management and spatial organization.

Beyond their military role, the fortifications functioned as centers of scholarship and culture. The network provided refuge for the Nizari community while fostering scientific and intellectual activity until the Mongol conquest of Alamut in 1256. Even after the fall of the fortress, the sites continued to influence the region’s religious and intellectual history.

As mentioned by experts, together, the seven fortifications illustrate the strategic organization, resilience and cultural significance of the Nizari Ismailistate during one of the most dynamic periods of medieval Iranian history.

Last week, Veteran Iranian cultural heritage expert Seyyed Mohammad Beheshti, noted that the property is one of the most significant defensive systems ever created in Iran’s central Alborz Mountains and fills an important gap in understanding the evolution of Iranian architecture and military organization. “The chain of Iran’s architectural history cannot be fully understood without Alamut,” Beheshti said. He explained that the mountainous landscape of the central Alborz had long served as a natural fortress, providing refuge for local rulers, communities and military forces throughout different periods of Iranian history.

Because of these geographical characteristics, many of the surviving historical monuments in the region consist of defensive castles and mausoleums, reflecting the area’s strategic importance over many centuries, he said.

Beheshti noted that archaeological evidence indicates many of the region’s fortifications had already been in use during the Parthian period. Following the establishment of the Nizari Ismailistate during the Seljuk era, the existing network was expanded into a coordinated defensive system with Alamut Castle serving as its central command.

He said the UNESCO inscription recognizes not merely a collection of historic buildings but an important chapter in Iran’s cultural and political history associated with the Nizari Ismailis.

Alamut Castle also occupies a special place in Iranian architectural history because relatively few structures dating to the Seljuk period and earlier have survived intact, Beheshti said. Although smaller than monumental sites such as the UNESCO-listed Bam Citadel, the castle provides exceptionally valuable archaeological and architectural evidence for understanding construction techniques and architectural development during the medieval period.

He added that archaeological excavations, conservation projects and documentation began in the late 1990s under the Alamut Cultural Heritage Base and have continued steadily ever since. He credited the sustained work of numerous specialists, particularly archaeologist Hamideh Choubak, with making possible the preparation of a comprehensive nomination dossier.

Beheshti also highlighted the importance of the serial nomination approach adopted for the World Heritage application. Rather than focusing solely on Alamut Castle itself, the dossier presents multiple castles and associated fortifications as parts of a single cultural landscape spread across the central Alborz Mountains.

In addition, Mohammad-Hassan Talebian, manager of the UNESCO nomination dossier for “Alamut Castle and Related Fortifications,” has said the newly inscribed property presents compelling evidence of political organization, cultural achievement and engineering innovation during a significant period of Iranian history.

According to Talebian, the nomination offers an integrated picture of governance, territorial defense, engineering, water management and cultural life through a network of interconnected fortifications extending across the eastern and western Alamut regions on the southern slopes of the Caspian Sea.

He said the seven components formed a coherent administrative and defensive system connected through visual, structural and functional relationships across the Alamut valley. Comparative studies with similar fortified landscapes in Iran, Syria, Jordan and Europe demonstrated that the Alamut network represents an exceptional example of mountain governance and defense.

Talebian said Alamut Castle, built atop a dramatic rocky outcrop, served simultaneously as the political, administrative, cultural, religious and intellectual center of the Nizari Ismailistate. The surrounding castles complemented its role by providing surveillance, military protection, logistical support and control over strategic communication routes.

He said the fortifications incorporated advanced engineering techniques that enabled communities to thrive in a challenging mountain environment. The system included sophisticated water-storage facilities, food depots, watchtowers, defensive walls, tunnels, canals and other architectural features carefully integrated into the natural landscape.

According to Talebian, the broader defensive landscape extends across approximately 2,000 square kilometers and encompasses villages, orchards, agricultural lands and water-management systems that together form a coherent cultural landscape rather than a series of isolated monuments.

He also emphasized Alamut’s role as one of the leading intellectual centers of its time. The fortress housed an important library and attracted scholars from across Iran and the wider Islamic world who pursued studies in astronomy, medicine, philosophy and other sciences. Among the prominent scholars associated with the site was Khajeh Nasir al-Din al-Tusi, one of the medieval Islamic world’s most influential scientists and philosophers.

The history of Alamut came to a dramatic turning point in 1256 when the Mongol ruler Hulagu Khan captured the fortifications after employing diplomatic deception and compelling the surrender of the Nizari Ismaili leadership. The conquest brought an end to the state centered at Alamut, while many of its written records were destroyed during the invasion.

The destruction of the Ismaili archives has left many aspects of Alamut’s history shrouded in mystery. Much of what later generations learned about the period came from writings produced by the movement’s opponents rather than from its own historical records.

For centuries after the Mongol conquest, Alamut Castle gradually faded from public attention. Interest in the site revived during the twentieth century following the publication of British travel writer Freya Stark’s travel account, Valleys of the Assassins, which introduced the dramatic mountain landscape and its historical legacy to an international audience.

The UNESCO inscription is expected to strengthen international recognition of the Alamut cultural landscape, support continued archaeological research and conservation, and promote sustainable tourism in the region while highlighting one of the most remarkable examples of medieval mountain fortification, governance and intellectual life preserved in Iran.

Source: AM, Tehran Times, 26 July 2026

https://ismailimail.blog/2026/07/30/une ... fications/
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