General Art & Architecture of Interest

kmaherali
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Re: General Art & Architecture of Interest

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Eurovision Members to Vote on Whether to Exclude Israel

The event’s organizer has called an extraordinary general meeting for November, with countries like Spain and Ireland saying they will not take part in the contest if Israel does.

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Israel was represented by Yuval Raphael in this year’s Eurovision Song Contest, which Switzerland hosted in May.Credit...Denis Balibouse/Reuters

By Alex Marshall
Reporting from London

Published Sept. 25, 2025
Updated Sept. 26, 2025, 4:55 a.m. ET
For weeks, the world of the Eurovision Song Contest has convulsed with debate over whether Israel should take part in next year’s competition given the growing humanitarian crisis amid its military campaign in the Gaza Strip.

Broadcasters from countries including Spain, Ireland and the Netherlands have said in recent weeks that they will withdraw if Israel takes part.

Other countries including next year’s host nation, Austria, have pleaded with them not to take such drastic action.

Behind the scenes, Eurovision organizers have been buying time, hoping to conjure up a non-divisive solution.

Now, a decision is set to be made.

On Thursday, the board of the European Broadcasting Union, which organizes the high-camp event, said in an email that it would host an extraordinary general meeting in early November at which member broadcasters will vote on Israeli participation.

A Eurovision spokesman gave no further details.

In a letter to members, Delphine Ernotte Cunci, the union’s president, said the organization had “never faced a divisive situation like this before.”

First held in 1956, Eurovision has long billed itself as an apolitical event that shows that nations can put aside political differences for one evening and unite in song. But in the two years since the war in Gaza broke out after the October 2023 Hamas-led attack on Israel, the presence of Israel at Eurovision has often overshadowed the event.

Singers have demanded Israel’s exclusion, and demonstrators have staged protests. Eurovision fans also criticized the 2024 song submitted by Israel’s broadcaster as being veiled commentary on the war in Gaza. The contest’s organizers said that the lyrics had to be changed.

At this year’s final in Basel, Switzerland, Israel came second after its act, Yuval Raphael, a survivor of the Hamas attack, secured the largest public vote. It was only in the show’s final moments that Austria’s contestant leaped ahead.

Shortly after the event, some countries complained that Israel’s government had tried to manipulate the vote, with Prime Minister Benjamin Netanyahu and official Israeli social media accounts urging voting, and the Israeli Government Advertising Agency, which operates under the prime minister’s office, buying YouTube ads to encourage voting.

In July, the European Broadcasting Union’s members discussed Israeli participation at a meeting, but made no decision. Instead, the organization commissioned an expert to collect members’ views for discussion at its general assembly in December.

Yet in recent weeks, pressure to act has grown. On Sept. 11, RTÉ, Ireland’s national broadcaster said in a statement that it would “not take part in the 2026 Eurovision Song Contest if the participation of Israel goes ahead.”

Ireland has won Eurovision seven times and, along with Sweden, is the competition’s most successful nation.

“RTÉ feels that Ireland’s participation would be unconscionable given the ongoing and appalling loss of lives in Gaza,” the statement said, adding that the broadcaster was also “deeply concerned by the targeted killing of journalists in Gaza, and the denial of access to international journalists to the territory, and the plight of the remaining hostages.”

Around the same time, the Dutch national broadcaster also said it would withdraw if Israel took part, as did RTVE in Spain.

José Pablo López, the president of RTVE, told the broadcaster in an interview that it was inaccurate for Eurovision’s organizers to ever argue that the event was apolitical. “We are all aware that the contest carries significant political implications,” he said. “The Israeli government is equally aware of this fact and leverages the event on the international stage.”

“We consider it essential to speak out against what is happening in Gaza and to take a visible, meaningful stand,” he said.

KAN, Israel’s public broadcaster, said that the country should be allowed to take part.

“The potential disqualification of Israel’s public broadcaster KAN — one of the contest’s longstanding, popular and successful participants — would be especially troubling ahead of the 70th edition of the song contest, which was founded as a symbol of unity, solidarity and fellowship,” a KAN spokesman said in a statement. “Any such move could have wide-ranging implications for the competition and the values for which the E.B.U. stands.”

Lawmakers are now weighing in, too. This month, Beate Meinl-Reisinger, Austria’s foreign minister, wrote to colleagues in six nations weighing a boycott, asking them to reconsider.

“I firmly believe that the Eurovision Song Contest in particular — and the arts in general — are not the appropriate arenas for sanctions,” she said. “Excluding Israel from the Eurovision Song Contest or boycotting the event would neither ease the humanitarian crisis in Gaza nor contribute to finding a sustainable political solution.”

Eurovision’s organizers rarely exclude countries from the contest, although in 2022 they excluded Russia after its invasion of Ukraine and it has not applied to rejoin.

Alex Marshall is a Times reporter covering European culture. He is based in London.

https://www.nytimes.com/2025/09/25/arts ... e9677ea768
kmaherali
Posts: 23528
Joined: Thu Mar 27, 2003 3:01 pm

Re: General Art & Architecture of Interest

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Top 50 Most Inspiring Brick Buildings Around the World

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CERAMIC HOUSE. Studio RAP. Image © Riccardo De Vecchi

The shortlist for the prestigious BRICK AWARD 26 has been announced, revealing 50 exceptional brick buildings from across the globe. Organized by wienerberger, the biennial award celebrates architectural innovation and craftsmanship in brick and ceramic design, recognizing projects that push the boundaries of material, form and context. This year's selection spans five continents and 21 countries, highlighting the enduring relevance of brick in contemporary architecture; from intimate homes and cultural institutions to industrial facilities and public spaces. Winners will be announced in Vienna in June 2026, with all shortlisted entries featured in the BRICK 26 Book.

Chosen from 849 submissions, the shortlist reflects the versatility of brick as a material that bridges tradition and experimentation. The award is presented across five categories: Feeling at home; Living together; Working together; Sharing public spaces; and Building outside the box. While the scope is global, several standout projects exemplify how brick continues to inspire new architectural narratives.

Among the shortlisted entries, the UCCA Clay Museum in Yixing, China, stands out for its distinctive roofscape designed by Kengo Kuma and Associates. Inspired by the nearby Shushan mountain, the structure is described as an "inverted shell carved by virtual spheres" and is clad in 3,600 handmade ceramic tiles glazed in dark and light brown tones. The design evokes the transformation of pottery during firing, merging landscape, material, and craft into a unified architectural expression.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 8 of 10UCCA Clay Museum | Kengo Kuma. Image © Fangfang Tian

In Australia, the Melbourne Holocaust Museum uses an estimated 25,000 bricks, both clay and glass, in a refined "hit and miss" façade. The design balances transparency and security, creating visual and physical connections to the surrounding community while expressing remembrance and resilience.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 4 of 10Melbourne Holocaust Museum | KTA. Image © L Showell

South Africa's Mountain House, set on the slopes of Steenberg Ridge in Cape Town, embraces a restrained palette of materials that reflect the earth's colors and textures. Designed to age gracefully, the building evokes a primordial sense of shelter through its simple, unadorned forms.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 5 of 10Mountain House. Image © Chris Van Nierkerk

In the UK, Park Hill Phase 2 in Sheffield reimagines a Brutalist housing estate with board-marked concrete infilled by fine-grain domestic brickwork. The reinvigorated bricks define each "street in the sky," while the color palette of the balconies complements the tones of the brick, enhancing the estate's architectural identity.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 3 of 10Park Hill Phase 2 | Mikhail Riches. Image © Mark Hadden

The Shafagh Tomb in Ardakan, Iran, transforms a cemetery gateway into a public monument. Its inverted dome and flowing inscriptions turn the structure into a canvas for collective memory, bridging sacred and everyday experiences.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 7 of 10Shafagh Tomb. Image © 35-51 Architecture Office

Mexico's Clase Azul La Hacienda Jalisco facility integrates warehousing and offices into its volcanic terrain using locally sourced ceramics and stone. The architecture anchors itself in the landscape, drawing on regional materials and construction techniques to create a grounded, site-specific expression.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 9 of 10Claze Azul warehouse & office. Atelier ARS. Image © Cesar Bejar

In New York, 64 University Place by Kohn Pedersen Fox blends historic references with contemporary detailing. Its hand-laid brick façade, arched windows, and grid of pilasters reflect skilled craftsmanship and contextual sensitivity, contributing to the architectural fabric of Greenwich Village.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 2 of 10University Place. Image © KPF

Germany's Leipzig Cogeneration Plant uses fired clay in the form of glazed panels with a fine, irregular vertical structure. The material choice articulates the industrial scale of the plant while introducing texture and rhythm to the façade, demonstrating how brick can elevate utilitarian architecture.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 10 of 10Leipzig Cogeneration Plant. Atelier ST | 149-Kraftwerk Süd. Image © AtelierST. Duc Viet Nguyen

In Tianjin, China, the Zhongshuge bookstore creates an immersive spatial experience through undulating brickwork and iron detailing. The design merges architecture and narrative, inviting visitors into a space where material and form echo the act of reading itself.

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Save this picture!Top 50 Most Inspiring Brick Buildings Around the World - Image 6 of 10Tianjin Zhongshuge X+ Living Architecture. Image © SFAP

Spanning a wide range of scales, programs, and geographies, the 50 shortlisted projects reflect the richness and adaptability of brick in contemporary architecture. From digitally fabricated façades and artisanal techniques to context-driven design and adaptive reuse, the selection highlights how brick continues to evolve as a medium for architectural expression. Whether used to anchor buildings in their landscapes, reinterpret historical forms, or create immersive spatial experiences, these works affirm brick's enduring relevance across typologies and design cultures.

Discover the full shortlist here https://www.brickaward.com/Nominations/ ... hdaily.com.

https://www.archdaily.com/1034640/top-5 ... -the-world
kmaherali
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Re: General Art & Architecture of Interest

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JAPAN JUST BUILT A GLOWING PAVILION SHAPED LIKE A 400M-YEAR-OLD SHELL

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There’s something magical about watching an ancient fossil come to life as a building. That’s exactly what happens when you encounter the Pasona Natureverse Pavilion at Expo 2025 Osaka, where local architecture studio The Design Labo has created something truly extraordinary.

The shell of a prehistoric marine mollusc informed the spiral shape of this remarkable pavilion, designed for staffing company Pasona Group. Picture this: a 43-meter-wide structure that looks like a giant ammonite shell gracefully unfurled on the ground, accompanied by a smaller conch-like companion crowned with a sculpture of cartoon character NEO Astro Boy.

Designer Name: The Design Labo

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The architects didn’t just borrow the shape; they captured the very essence of these prehistoric marine creatures. CEO Satoshi Itasaka explains the deeper meaning beautifully: “Coiled shells have changed little for roughly 400 million years. Having survived repeated mass extinctions without being eliminated, they may represent a ‘completed form’ of life.” Since the Expo’s theme is life, they adopted the coiled shell as its symbol and conceived a pavilion where visitors can experience the connection between humans and nature and the continuity of life. It’s not just about creating a striking visual; it’s about storytelling through architecture that spans geological time.

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What makes this pavilion truly special is how it works with nature rather than against it. The building features an ingenious water-based cooling system that coats the skin of the structure in a thin film of water to reduce the need for air conditioning. The spiral form acts as a means of collecting and reusing both this water and rainwater, which is recirculated as grey water throughout the building. The interior journey is equally thoughtful. The pavilion comprises two shell-shaped structures containing a series of interactive exhibition spaces that explore physical, mental and social health. Visitors spiral through three distinct zones titled History of Life, Body and Mind/Bonds, each containing a range of interactive and digital displays.

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Among the fascinating exhibits is a tree-shaped sculpture that depicts the history of evolution and a lab-grown heart created through biomaterials and bioengineering. “Within this grand volume, visitors encounter dynamic moving LED boxes, a zone where they can see a heart created from iPS cells, and an area offering a glimpse into the world of soil microorganisms,” Itasaka explains, describing content that combines surprise with learning.

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But here’s where the story gets even better. This isn’t just a temporary exhibition building destined for demolition. The 43-meter-wide pavilion is designed to be easily demountable, created using a ball-jointed steel structure over which a synthetic white membrane has been stretched. After the expo, it will be permanently relocated to Awaji Island to serve as a cultural center, giving the building a meaningful second life.

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The pavilion transforms dramatically after dark, when strips of color-changing lighting along the shell’s ridges illuminate the structure, enhanced by projected light effects. It becomes a glowing beacon that looks almost alive, pulsing with soft light that makes the spiral form even more mesmerizing. What strikes me most about this project is how it demonstrates that sustainable design doesn’t have to be boring or purely functional. The Design Labo has created something that’s environmentally responsible while being emotionally resonant. “We were reminded that biomimetic forms are not only structurally stable but also inherently beautiful,” Itasaka notes.

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This pavilion represents something bigger than just clever architecture. It’s a meditation on time, evolution, and our place in the natural world. By taking inspiration from creatures that survived for millions of years, the designers have created a space that feels both humbling and hopeful. Sometimes, buildings often feel disconnected from their environment but the Pasona Natureverse Pavilion shows us another way forward. It’s architecture that tells a story, respects the planet, and creates genuine wonder. That’s the kind of design our future needs more of.

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https://www.yankodesign.com/2025/10/16/ ... old-shell/
kmaherali
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Re: General Art & Architecture of Interest

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The Golden Toilet Returns as a Sotheby’s Headliner, for $10 Million

The flushable sculpture, “America,” was made by Maurizio Cattelan, the artist whose banana taped to the wall sold for $6.2 million last year.

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A toilet made from about 220 pounds of solid gold is expected to go up for auction in November. Bidding for the fully functional piece by the artist Maurizio Cattelan is expected to start at about $10 million.CreditCredit...Sotheby’s, via Associated Press

Zachary Small
By Zachary Small
Oct. 31, 2025
One hundred kilograms of solid gold and a hookup to the sewers: A shiny toilet is the new darling of the auction season.

Sotheby’s announced on Friday morning that it would offer a toilet made from 18-karat gold by the artist Maurizio Cattelan — the same prankster responsible for the duct-taped banana from 2024 that sold for $6.2 million to a crypto financier.

Cattelan created the golden throne in 2016 as one of two editions of an artwork called “America.” Bidding will start in the region of $10 million, or whatever the price of gold is a few hours before the auction starts on Nov. 18 at 7 p.m., at Sotheby’s new headquarters in the Breuer building on Madison Avenue.

“I would reject the idea that this is just pure spectacle,” David Galperin, vice chairman and head of contemporary art at Sotheby’s, said in an interview. “Cattelan for me is one of the greatest artists of our generation and this is one of his most iconic works.”

This version of the commode was sold to a private collector by the Marian Goodman Gallery in 2017.

But its twin toilet — the other edition of the artwork fabricated by the artist — was embroiled in a minor political controversy with the first Trump administration and later became the subject of a brazen heist at Blenheim Palace, a museum in England that was the birthplace of Winston Churchill.

That version was installed at the Solomon R. Guggenheim Museum in 2016 — perhaps the first artwork to require both a security guard and a plumber. More than 100,000 visitors used the toilet, which the museum later offered as a loan to the Trump administration after declining the White House’s request for a painting by Vincent van Gogh that could hang in the president’s living quarters.

“It is, of course, extremely valuable and somewhat fragile, but we would provide all the instructions for its installation and care,” Nancy Specter, the museum’s artistic director and chief curator at the time, wrote in an email to officials.

In 2019, thieves stole the golden toilet while it was on loan at Blenheim Palace. It took prosecutors four years to charge the gang, which had dislodged the artwork from its plumbing and caused a small flood in the room. Two men were found guilty by a jury this year; another person was acquitted of the crime.

Cattelan found the burglary strange, saying it wasn’t “exactly the heist of the century,” but it was “one of the most bizarre.”

Sotheby’s is hoping the artist’s surviving edition of the toilet will help — pun intended — unclog the art market, which has suffered in recent years, in part because the supply of contemporary artworks has overwhelmed the size of the collector base. The auction house is also hoping for a splash, having turned the artist’s duct-taped banana, “Comedian,” into a sensation when it sold to the Chinese crypto billionaire Justin Sun far above its initial high estimate of $1.5 million.

Galperin said that potential buyers should think of “America” as part of a historical lineage that includes Marcel Duchamp, who put a urinal on a pedestal in 1917 and scandalized the art world by calling it a sculpture.

“Duchamp takes the ordinary urinal by signing it and putting it on the pedestal,” Galperin said. “Cattelan renders it like a perfect replica, and rather than putting it on a pedestal, returns it to its use in the most ordinary context.”

In a statement, Cattelan told The New York Times that his artwork was “the sum of many opposites.”

“It started from something very practical: in a museum there are many sacred spaces, and only one that never is: the bathroom.”

Cattelan’s “America”

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Two Men Found Guilty in Theft of $6 Million Gold Toilet https://www.nytimes.com/2025/03/18/arts ... telan.html
March 18, 2025

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Peeling the $6.2 Million Banana: An Auction Explainer https://www.nytimes.com/2024/11/21/arts ... telan.html
Nov. 21, 2024

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Who’s Laughing Now? Banana-as-Art Sells for $6.2 Million at Sotheby’s https://www.nytimes.com/2024/11/20/arts ... ction.html
Nov. 20, 2024

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An 18-Karat Throne Arrives at the Guggenheim. And Yes, It Works. https://www.nytimes.com/2016/09/16/arts ... works.html
Sept. 15, 2016

https://www.nytimes.com/2025/10/31/arts ... e9677ea768
kmaherali
Posts: 23528
Joined: Thu Mar 27, 2003 3:01 pm

Re: General Art & Architecture of Interest

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Extraordinary rippled building looks like it belongs in a sci-fi movie

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The Yidan Center, by Zaha Hadid Architects, is defined by an unusual rippled form with a void at its centerAtchain

You could be forgiven for thinking that this extraordinary building was dreamed up as some sort of alien megastructure for a sci-fi movie. However, the Yidan Center is very much real and is currently nearing completion.

The Yidan Center, by Zaha Hadid Architects, is located in Shenzhen and forms part of a burgeoning cultural quarter in the Chinese megacity. It will host offices and exhibition spaces, along with collaboration areas, for the philanthropic Chen Yidan Foundation.

Its remarkable design brings to mind the studio's previous Morpheus and Opus projects, and is defined by a massive void at its center. Like those projects, structurally it consists of two separate tower-like volumes that meet at the top. Its overall form takes inspiration from Shenzhen's surrounding mountains and canyons, which have served as natural pathways for centuries. In addition to being eye-catching, its design does have some practical purpose too: the large void helps daylight permeate deep within.

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The Yidan Center is currently nearing completion and its basic structure is finishedXue Liang

"Informed by the canyons and valleys of the surrounding mountainous landscapes that have been used as routes of travel and communication for millennia, the Yidan Center is designed as a place of convergence and collaboration – emulating Shenzhen's position as a global hub of innovation and discovery," says Zaha Hadid Architects. "Verdant gardens guide visitors from the surrounding streets to the base of the center's 'canyon' with views of the geologic architectural formations overhead. A large oculus skylight at the base of the 'canyon' floods the interiors below with natural light and enables visitors within these indoor public spaces to experience the center's architecture above."

The project is slated to receive the LEED Gold green building standard and is wrapped in rippling louvers that provide solar shading while still allowing daylight and views. Solar panels are also being installed to reduce its electricity draw on the power grid, and water usage will be mitigated with the collection and reuse of rainwater. Additionally, outdoor terraces and balconies provide ample ventilation.

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The Yidan Center will be surrounded by greenery and it will also feature a plant-filled rooftop terraceAtchain

The Yidan Center is nearing completion, though we've no word yet on an exact date it's expected to be finished. When it is, it should fit nicely alongside other recent and upcoming out-of-this-world Shenzhen architecture, including the Shenzhen Science & Technology Museum and twisting Tencent Helix.

https://newatlas.com/architecture/zaha- ... an-center/
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